Cover To Cover is the anchor program for GPB’s literary coverage. Cover To Cover features a collection of distinctive Southern voices interviewing Georgia writers, Southern writers, and writers dealing with the South. The GPB Southern Lit Cadre will provide you with a varied, weekly glimpse at fiction, non-fiction, history, poetry, and even the occasional ‘old school’ nod to Flannery O’Connor or William Faulkner.


Showing posts with label The Civil War. Show all posts
Showing posts with label The Civil War. Show all posts

Sunday, March 28, 2010

The Bonfire: The Siege and Burning of Atlanta by Marc Wortman



2009 marked the 145th anniversary of the fall of Atlanta during the Civil War, so Mark Wortman's book published last year was a timely look at this fascinating chapter (some would say dark chapter) in Georgia's history. Wortman has a journalist's flair for keen insight and detail, and above all he tells a good story.

Like most of my interviews, 30 minutes proved all too short to ask the author everything I was interested in. Some of the ones I posed to Marc Wortman: How does a guy with a Ph.D. in comparative literature from Princeton get interested in Atlanta and the Civil War?

One of the things in his book that most intrigued me was the fact that we now take it for granted that Atlanta is an important city, that it's the Gateway to the New South, the home of Hartsfield-Jackson Airport, the Atlanta Braves, Home Depot, CNN, Coca-Cola, etc., but the Atlanta he describes wasn't all that big or seemingly all that important as a city. Wortman writes, "Few people in the North or among Union military officials had heard of Atlanta before the outbreak of the rebellion." How then did two great armies find themselves in and around Atlanta in the summer of 1864? And why is Atlanta's fall directly credited with paving the way for Lincoln's re-election the following November?

A book like this is full of fascinating characters, among them of course William Tecumseh Sherman. He obviously plays a very prominent role in this book, and in fact Wortman gives him the very last word. Even today, his name evokes fierce passions and emotions in Georgia. And yet, when he returned to Atlanta in 1879, Wortman writes that "few people in Atlanta remained ill disposed toward Sherman." How is that possible? I'm quite certain that wouldn't be the case now, 145 years later. Last year the Georgia Historical Society had a public program about Sherman, and we received numerous letters and emails from people across Georgia (and the rest of the country) vehemently denouncing him. How was it possible that "few" of the Atlantans who actually lived through Sherman's siege were so forgiving in 1879?

Finally, with the Civil War's 150th anniversary fast approaching, there will be commemorative events across the country. One of the questions I like to pose to writers of Civil War history: What do the events in your book still have to teach us in the 21st century?

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Monday, December 28, 2009

A Historical Novel of Transformation


Set in New Orleans in the years after the Civil War, A SEPARATE COUNTRY is a novel based on the incredible life of John Bell Hood, arguably one of the most controversial generals of the Confederate Army--and one of its most tragic figures. Robert E. Lee promoted him to major general after the Battle of Antietam. But the Civil War would mark him forever. At Gettysburg, he lost the use of his left arm. At the Battle of Chickamauga, his right leg was amputated. Starting fresh after the war, he married Anna Marie Hennen and fathered 11 children with her, including three sets of twins. But fate had other plans. Crippled by his war wounds and defeat, ravaged by financial misfortune, Hood had one last foe to battle: Yellow Fever.

A SEPARATE COUNTRY is the heartrending story of a decent and good man who struggled with his inability to admit his failures--and the story of those who taught him to love, and to be loved, and transformed him.

The book's author, Robert Hicks, came to fiction after a successful career in music publishing. His primary interest was to bring greater attention to his hometown of Franklin, TN, the scene of the bloodiest battle of the Civil War. The result was the bestselling THE WIDOW OF THE SOUTH. Hood's defeat at Franklin, and his controversial post-war reputation, made him an irresistible subject for Hicks' follow-up. As did Hood's ultimate home of New Orleans, a city with which Hicks has a long history and deep affection.

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Monday, December 21, 2009

How is this night different from All Other Nights?



Considering she’s already published three novels, it might surprise you to hear that Dara Horn is in her (very) early thirties. Perhaps even more surprising is that she has also earned a PhD in Comparative Literature from Harvard University. Add to that she’s raising three children, and well, you’ll just have to take my word that she’s a remarkable woman.

I can also attest that at least the latest of those three novels is a remarkable book. You might recognize All Other Nights from many of the ubiquitous year-end “Best Of…” lists. It certainly deserves to be there. The story follows Jacob Rappaport, a Union spy, through his travails from New Orleans to Richmond during the Civil War. Along the way he meets a whittling girl, a fetching pickpocket, a bloodthirsty Southern Belle and a child that speaks in palindromes…and that’s just in one family.

Some characters are actual historical figures. Perhaps the most enthralling of these is Judah Benjamin, Secretary of the State for the Confederacy. Horn brought a Confederate two-dollar bill to the interview, which features Benjamin’s profile, and we talked about Benjamin’s important but precarious place in the ill-fated Confederate nation. He was Jewish, and partly because of this, he drew the ire of both Northerners and Southerners. Of course, the idea of a man who was very much a minority holding high office in the CSA is rife for all sorts of literary exploration involving allegiance, identity and motivation. Horn does a remarkable job with this exploration by subsuming the discourse into a very captivating story line involving all sorts of espionage and intrigue.

Dara Horn’s work at Harvard focused on Hebrew and Yiddish literature, so she brings a wealth of understanding to the complexity of this subject. It’s a complexity germane to Southern literature and culture, I think, because it implores us to examine, through storytelling, who we are and why our history is important to us. And most of all, it’s a wonderful read.

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